In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This mural was created in Bogota, the capital and largest city of Colombia. The piece reads 'solo tu le pones valor a tu vida', which translates to 'only you can put value on your life', with the hands below breaking the chains of slavery.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this programme, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where leveles of prostitution and drug crimes are very high. This mural was created in Barranquilla, which is the largest city and port in northern Colombia, and is the country's fourth most populous city after Bogotá, Medellín and Cali.

This mural was created in Sierra Leone by WHI (World Hope International) with FAAST (Faith Alliance Against Slavery and Trafficking). It highlights different types of slavery, including forced sexual exploitation and forced labour. The piece raises awareness of the vulnerability of migrant workers and stresses that people must be careful about accepting jobs that might sound "too good to be true".World Hope International is an organisation that works with vulnerable and exploited communities around the world. It aims to alleviate poverty, suffering and injustice, and this mural was created as part of their anti-trafficking work in Sierra Leone.WHI is a member of FAAST, an alliance of Christian organisations that are working together to combat slavery and human trafficking. Other members include Compassion First, who work with survivors, and the Salvation Army. WHI was the lead in FAAST in Sierra Leone and have helped raise awareness of modern slavery in the country.

This 250 foot mural was completed as part of a fundraising project for the organisation Catch the Wave of Hope. Lynne Barletta, who founded the organisation, believes art is an important way to raise awareness of human trafficking. Each fish, reptile and mammal in the mural was sponsored and raised money for the organisation to set up a local transition home for trafficked children. The wave of the mural represents inspiration to survivors of human trafficking and stresses that they can catch the wave of hope. Barletta founded this organisation after she helped with a project in Singapore where she met a survivor of human trafficking, and decided to set up her own organisation to fight the phenomenon in the US. The organisation trains businesses, schools and other organisations on human trafficking and modern slavery, educating them on the signs of modern slavery and on how to ensure they do not contribute to its persistence.

In commemoration of Mambajao’s 160th founding anniversary on 6th July 2015, the Department of Labour and Employment (DOLE 10) and the Local Government Unit (LGU) hosted a mural painting competition. The aim was to raise awareness of child slavery and modern slavery in an area that was frequented by tourists and locals. This was an important moment for the island, which was been declared a “Child Labor-Free Province” in 2012.Around 20 children from four different schools came together to paint this mural and were inspired by the International Labour Organisation's (ILO) "YES to education. NO to child labour" policy, as ensuring children are enrolled in schools is an important effort in the prevention of child slavery and child labour. The winners of the competition were Tupsan National High School (4th Place), Fatima College of Camiguin (3rd Place), Mambajao National High School (2nd Place) and Yumbing National High School (1st Place). Unfortunately, as of 2017, the mural had been destroyed.

The End Child Slavery Week partner CTERA (The Confederation of Education Workers of the Argentine Republic) created this mural in a remote Argentinian village in the Mendoza region to raise awareness of child slavery and child labour. They worked with teachers and students from 8417 Rubén Darío School to create the piece and educate about the importance of education to the eradication of modern slavery and child labour. The mural shows children enjoying their childhood and gaining an education, rather than being forced to work.

This mural was shown to UNICEF Ambassador Angie Harmon by a youth leader while she was visiting Bluefields, Nicaragua. The mural was completed by local youth leaders, adolescents and students and highlights the issue of human trafficking.

This mural was completed by Joel Artista alongside students from the University of Dayton's Art Street Centre for the Sex Trafficking Awareness Project. This campagin aims to raise awareness of forced prostitution and the sexual exploitation of women and girls in the USA. Through workshops with Artista, students expressions of sex trafficking were combined with an image of the Riman goddess Proserpina. In the mural, she struggles to break free from her captor, the god of the underworld, and her mother, whose hand reaches out for her. This imagery highlights the violent and painful kidnapping and forced prostitution of thousands of girls and women, both American and foreign, across the US every year. Proserpina's struggle is also shown with writing all over the piece in different languages, with phrases such as 'desperation', 'escape', and 'wasted youth'. Joel Artista (Joel Bergner) has completed several murals against human trafficking and modern slavery. He is an artist, educator and activist who is celebrated for his antislavery artwork and murals. Artista's art is heavily influenced by his work with communities and non-profit organisations, and in 2015 he joined forces with Max Frieder to form Artolution. This community-based arts initiative empowers artists, youth and communities to be agents of positive social change and explore critical societal issues and create opportunities for constructive dialogue.

This mural was created by Zimmer as part of the Bushwick Collective, New York City's most prolific neighbourhood for street art and graffiti. The piece supports the Bring Back Our Girls campaign, which raised awareness of the kidnap of 276 Chibok girls in Nigeria on 14th April 2014. Many of these girls were sexual exploited and forced into marriage.As of 2018, 57 girls managed to escape, 107 were released, and 112 are still missing. The campaign is demanding that the Nigerian government rescue the remaining girls and reunite them with their families.This mural shows Malala Yousafzai holding a sign with 'Bring Back Our Girls'. The Nobel Peace Prize Winner, who campaigns for girls to have access to education, supports the campaign and called for the Nigerian government to do more to save these girls. Unfortunately the mural is no longer at the location as of September 2017.

This piece was created over a year by 15 artists who came together to tell the story of the Chattanooga landscape being reborn. They were inspired to create this piece for human trafficking survivors who are a part of the non-profit organisation Second Life. The idea behind the piece is that, although the outlook for survivors can often look bleak, there is hope.Second Life  was created in 2007 and aims to end human trafficking through prevention, policy and survivor services. They provide individuals, groups and organisations in the Lower East Tennessee region with knowledge of human trafficking to enable them to be aware of signs of this phenomenon and what to do if they have suspicions. They also provide expertise and support to the private and public sectors to help make effective policies that will end human trafficking. Their services also provide aftercare to survivors and they coordinate with community resource providers to address the specific needs of individual survivors.Due to the privacy of survivors and the safeguarding measures that are in place, the exact location of the mural, in East Brainerd Tennessee, is unknown.

This mural was created by Mark Palen in 2014 and is situated on the wall of Thistle Farms Cafe, which is part of an organisation that helps survivors of human trafficking. Thistle Farms' mission is to Heal, Empower and Employ. They provide safe housing, economic independence and a strong community of advocates and survivors. A two-year residential program called the Magdalene Residential Programin Nashville, Tennessee provides housing, medical care, education and training for jobs for up to 32 women. Residents and graduates of this program are employed in on of their social enterprises including Thistle Farms Cafe, which sells sells body/home products that are made by these survivors.The organisation was founded by Becca Stevens in 1997 when she provided shelter for five women who had experienced trafficking, violence and addiction. Thistle Farms has helped many women over 20 years and they employ more than 1,800 women worldwide, with more than 40 sister communities.

This mural was one of Groundswell's projects and was created by the young members of the Mount Eden community with artists Jose de Jesus Rodriquez and Paula Frisch. The project aimed to improve the public's perspective on agricultural and food workers, and highlights the vulnerability of these labourers. Organisers hoped to promote dialogue that considered negative aspects of the food chain and its effect on the community to inspire empathy and activism. Groundswell is an organisation based in New York City that brings together young people, artists, and community organisations to use art as a tool for social change. Founded in 1996 by a group of artists, educators, and activists, the organisation believes that collaborative art-making combines personal expression with the strength of community activism. Over the past 22 years, they have created over 500 murals throughout NYC. The collaborative process behind these artworks demonstrates their belief that art creates community and community creates change.Those who were included in the production of the mural include Jose Almonte, Saul Arias, Chantel Batista, Topaz Bowley, Rafael Cintron, Daniel Datix, Luisaira Duran, Kelanny Estevez,  Sarafanta Kaba, Nicole Mera, Kenneth Navarro, Rodney Nelson,  Emily Ortega, Stephanie Ortega, Aaron Osorio, Brian Perez,  Charleny Reyes, Esmerelda Rivera, Juan Vasquez, Devon Veras, Haiman Sawadogo, John Hilario Torres, Justin Valdes, Keyla Ramirez and Pamela Zambrano.Community partners that were involved in the project were Communities for Healthy Food at Cypress Hills Local Development Corporation, LISC New York City, New Settlement Apartments and Comprehensive Model School Project 327. The project was funded by Laurie M. Tisch and Illumination Fund. 

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa. The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom. This specific mural was created at the Migori Primary School and shows the importance of education for young girls. On the far right, a girl is being led away from school and her education, and towards a life of forced marriage.

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa. The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom. This mural was completed by several local artists alongside the community on the Canadian Embassy in Zimbabwe. It highlights the important role that education plays in stopping forced and early marriage. It contains phrases including 'I was married at 15 and had to drop out of school...what if...?', 'How can we support every girl to achieve her aspirations', 'I go to school with friends to learn and acquire skills' and 'I can be whatever I dream to be'.

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa.The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom.This specific mural was created by various artists from the local community on the building of the Canadian Embassy in Accra, Ghana. It highlights the importance of education to the prevention of child and forced marriage, and states that 'A child is not a bride nor a labourer - she is Ghana's future. Empower her!'.

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa.The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom.This specific mural focuses on the importance of education in the fight against early and forced marriage. Two children stand in the centre of the piece, both holding pencils as if they were weapons, which they will use to fight forced marriage. Surrounding them are the words 'dream big', 'respect', 'aspire', 'knowledge' and 'empowerment'.

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa.The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom.This specific mural shows children both at school and in forced marriages. It states that children should have full access to high quality education and should not be forced to marry. The piece, created by local artist Docta, highlights the importance of education and encourages children to stay in school to gain qualifications. 

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa.The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom.This specific mural was created by artist ANW-KO'ART with the local community and has several different scenes protesting against early and forced marriage. In one scene, there is a girl being forced to wear a wedding ring, and elsewhere a pregnant girl watches another girl go to school, with the latter celebrating her access to education. At the start of the mural is the phrase 'give me the time to realise my ambitions', with girls holding signs that state 'no to early marriage', 'we want to survive' and 'our studies'. 

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa.The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom.This specific mural was created by Tladi with children from Soshanguve Seconday School. In one scene, a girl sits below a tree reading a book and there is a heart with the phrase 'love education' in it. In another scene, there is a portrait of a girl with a graduation cap on and a second girl is accepting a degree in a graduation cap and gown. There are also women reading texts on the left hand side of the mural and women as doctors on the right. 

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa.The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom.This specifc mural was created on the Kizinga Primary School in Mbagala, Tanzania by the students and local community. It promotes the importance of education, showing girls in graduation cap and gown on the right, having received their education and moving onto employment.