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Gamma Acosta, HT Mural 2015.jpg

#NotForSale

This mural was painted by graffiti artist Gamma Acosta on the side of his family's restaurant. He frequently paints murals on this site and this mural on human trafficking is no longer present. Acosta believes that the temporary nature of his murals encourages people to visit them whilst they are there. Painted in 2015, this piece and its title #NotForSale highlights the issue of forced sexual exploitation.

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Duality of Humanity

This piece was part of a series of murals created by Shepard Fairey (Obey Giant) under the installation project of the Irvine Contemporary Art Gallery, with other artists including EVOL and PISA73 from Berlin, Gaia and Oliver Vernon from Brooklyn.It shows a Cambodian child holding a machine gun over his shoulder, with a flower in his hair highlighting his youth and innocence. The artist created another piece that protested against child soldiers called 'Duality of Humanity' at 4 Pike Street, Cincinnati. This mural was soon destroyed by the building's owner and the above mural no longer exists either.

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The Fruits of Our Labour

This mural was one of Groundswell's projects and was created by the young members of the Mount Eden community with artists Jose de Jesus Rodriquez and Paula Frisch. The project aimed to improve the public's perspective on agricultural and food workers, and highlights the vulnerability of these labourers. Organisers hoped to promote dialogue that considered negative aspects of the food chain and its effect on the community to inspire empathy and activism. Groundswell is an organisation based in New York City that brings together young people, artists, and community organisations to use art as a tool for social change. Founded in 1996 by a group of artists, educators, and activists, the organisation believes that collaborative art-making combines personal expression with the strength of community activism. Over the past 22 years, they have created over 500 murals throughout NYC. The collaborative process behind these artworks demonstrates their belief that art creates community and community creates change.Those who were included in the production of the mural include Jose Almonte, Saul Arias, Chantel Batista, Topaz Bowley, Rafael Cintron, Daniel Datix, Luisaira Duran, Kelanny Estevez,  Sarafanta Kaba, Nicole Mera, Kenneth Navarro, Rodney Nelson,  Emily Ortega, Stephanie Ortega, Aaron Osorio, Brian Perez,  Charleny Reyes, Esmerelda Rivera, Juan Vasquez, Devon Veras, Haiman Sawadogo, John Hilario Torres, Justin Valdes, Keyla Ramirez and Pamela Zambrano.Community partners that were involved in the project were Communities for Healthy Food at Cypress Hills Local Development Corporation, LISC New York City, New Settlement Apartments and Comprehensive Model School Project 327. The project was funded by Laurie M. Tisch and Illumination Fund. 

Thistle Farms Mural 1.jpg

Thistle Farms: Cafe

This mural was created by Mark Palen in 2014 and is situated on the wall of Thistle Farms Cafe, which is part of an organisation that helps survivors of human trafficking. Thistle Farms' mission is to Heal, Empower and Employ. They provide safe housing, economic independence and a strong community of advocates and survivors. A two-year residential program called the Magdalene Residential Programin Nashville, Tennessee provides housing, medical care, education and training for jobs for up to 32 women. Residents and graduates of this program are employed in on of their social enterprises including Thistle Farms Cafe, which sells sells body/home products that are made by these survivors.The organisation was founded by Becca Stevens in 1997 when she provided shelter for five women who had experienced trafficking, violence and addiction. Thistle Farms has helped many women over 20 years and they employ more than 1,800 women worldwide, with more than 40 sister communities.

Mixed Media, Second Life 2016.jpg

Second Life

This piece was created over a year by 15 artists who came together to tell the story of the Chattanooga landscape being reborn. They were inspired to create this piece for human trafficking survivors who are a part of the non-profit organisation Second Life. The idea behind the piece is that, although the outlook for survivors can often look bleak, there is hope.Second Life  was created in 2007 and aims to end human trafficking through prevention, policy and survivor services. They provide individuals, groups and organisations in the Lower East Tennessee region with knowledge of human trafficking to enable them to be aware of signs of this phenomenon and what to do if they have suspicions. They also provide expertise and support to the private and public sectors to help make effective policies that will end human trafficking. Their services also provide aftercare to survivors and they coordinate with community resource providers to address the specific needs of individual survivors.Due to the privacy of survivors and the safeguarding measures that are in place, the exact location of the mural, in East Brainerd Tennessee, is unknown.

Zimmer, Bring Back Our Girls 2014.jpg

Bring Back Our Girls

This mural was created by Zimmer as part of the Bushwick Collective, New York City's most prolific neighbourhood for street art and graffiti. The piece supports the Bring Back Our Girls campaign, which raised awareness of the kidnap of 276 Chibok girls in Nigeria on 14th April 2014. Many of these girls were sexual exploited and forced into marriage.As of 2018, 57 girls managed to escape, 107 were released, and 112 are still missing. The campaign is demanding that the Nigerian government rescue the remaining girls and reunite them with their families.This mural shows Malala Yousafzai holding a sign with 'Bring Back Our Girls'. The Nobel Peace Prize Winner, who campaigns for girls to have access to education, supports the campaign and called for the Nigerian government to do more to save these girls. Unfortunately the mural is no longer at the location as of September 2017.

Arista, Sex Trafficking Awareness .jpg

Sex Trafficking Awareness

This mural was completed by Joel Artista alongside students from the University of Dayton's Art Street Centre for the Sex Trafficking Awareness Project. This campagin aims to raise awareness of forced prostitution and the sexual exploitation of women and girls in the USA. Through workshops with Artista, students expressions of sex trafficking were combined with an image of the Riman goddess Proserpina. In the mural, she struggles to break free from her captor, the god of the underworld, and her mother, whose hand reaches out for her. This imagery highlights the violent and painful kidnapping and forced prostitution of thousands of girls and women, both American and foreign, across the US every year. Proserpina's struggle is also shown with writing all over the piece in different languages, with phrases such as 'desperation', 'escape', and 'wasted youth'. Joel Artista (Joel Bergner) has completed several murals against human trafficking and modern slavery. He is an artist, educator and activist who is celebrated for his antislavery artwork and murals. Artista's art is heavily influenced by his work with communities and non-profit organisations, and in 2015 he joined forces with Max Frieder to form Artolution. This community-based arts initiative empowers artists, youth and communities to be agents of positive social change and explore critical societal issues and create opportunities for constructive dialogue.

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Catch the Wave of Hope

This 250 foot mural was completed as part of a fundraising project for the organisation Catch the Wave of Hope. Lynne Barletta, who founded the organisation, believes art is an important way to raise awareness of human trafficking. Each fish, reptile and mammal in the mural was sponsored and raised money for the organisation to set up a local transition home for trafficked children. The wave of the mural represents inspiration to survivors of human trafficking and stresses that they can catch the wave of hope. Barletta founded this organisation after she helped with a project in Singapore where she met a survivor of human trafficking, and decided to set up her own organisation to fight the phenomenon in the US. The organisation trains businesses, schools and other organisations on human trafficking and modern slavery, educating them on the signs of modern slavery and on how to ensure they do not contribute to its persistence.

Thistle Farms Mural 2.jpeg

Thistle Farms: Love Heals

This mural was created by Michael Cooper in 2017 and is situated on the wall of Thistle Farms Cafe, which is part of an organisation that helps survivors of human trafficking. Thistle Farms' mission is to Heal, Empower and Employ. They provide safe housing, economic independence and a strong community of advocates and survivors. A two-year residential program called the Magdalene Residential Program in Nashville, Tennessee provides housing, medical care, education and training for jobs for up to 32 women. Residents and graduates of this program are employed in on of their social enterprises including Thistle Farms Cafe, which sells sells body/home products that are made by these survivors.The organisation was founded by Becca Stevens in 1997 when she provided shelter for five women who had experienced trafficking, violence and addiction. Thistle Farms has helped many women over 20 years and they employ more than 1,800 women worldwide, with more than 40 sister communities. 

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Let Us Remember

In 2011, English literature students at T.C. Williams High School, Virginia, were inspired to create a mural and raise money for survivors of forced sexual exploitation. After reading Sold by Patricia McCormack, a novel about sex trafficking in India, the students wanted to do something to combat slavery.At the centre of the mural is a quote by Eli Wiesel, the writer, professor and political activist who survived the Holocaust. Surrounding the quote are the students' hand prints - for every hand-print placed on the wall, students made a $3 donation and the students raised over $100. The proceeds went to Courtney's House, an organisation that helps survivors of sex trafficking. The charity was set up in 2008 by Tina Frundt, a survivor of sex trafficking, and fights to protect children from sexual exploitation. The charity provides counselling, medical treatment, food, clothing and toiletries to survivors of sex trafficking. Erin Neff, Assistant Project Manager of Courtney’s House, visited the students and explained that the organisation's name allows survivors to say they are 'just going to Courtney's house'. Neff also told teachers that the organisation has helped survivors who have come from T.C. Williams High School, emphasising the fact that the sex trafficking of children is 'something that happens in our backyard.'

What You See is Not Who I Am 12.jpg

What You See Is Not Who I Am 12

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The twelfth and final mural in the series appears above – here we have the end result of efforts to end modern slavery. The National Human Trafficking Hotline appears with options to call or text to report suspected slavery. In the centre is a figure who has broken free from the chains of slavery thanks to the support of the figures in the foreground. Their clothes read ‘we can stop human trafficking now’ and this calls the viewer to be active in the movement to end slavery. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 11.jpg

What You See Is Not Who I Am 11

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The eleventh mural in the series appears above – here there is focus on agriculture workers and a demand for fair wages. Many workers that are trafficked into forced labour find themselves earning little or no money, when they were promised a fortune. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 10.jpg

What You See Is Not Who I Am 10

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The tenth mural in the series appears above – here we have agricultural workers labouring in the fields under the hot sun. As the product is picked, the workers reveal lines of chains and the sun is depicted as a padlock to show these workers are locked into a never-ending cycle of slavery. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 9.jpg

What You See Is Not Who I Am 9

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The ninth mural in the series appears above – here we have an emphasis on the enslavement of agricultural workers. President Abraham Lincoln is depicted in the centre of a coin, with the phrase ‘trafficked workers are paid 2 pennies per pound’ highlighting how little some people in this industry are paid. The cracked stopwatch shows that many workers feel their situation is endless and time ticks on for these people if the public do nothing. This is heightened by the fact that Lincoln has a blindfold over his eyes, showing that if the public turn a blind eye to modern slavery then it will continue to occur. The question ‘who will emancipate them’ places responsibility on the viewer and calls them to action. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 8.jpg

What You See Is Not Who I Am 8

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The eight mural in the series appears above – here we have the National Human Trafficking Hotline with options to call or text to report suspected slavery. The phrase highlights the workers who are enslaved in the previous panels, namely the domestic or factory workers. This stresses that people are enslaved in multiple ways and can be right under our noses. The two doves symbolise hope and show that using this hotline can bring hope to a worker. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 7.jpg

What You See Is Not Who I Am 7

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The seventh mural in the series appears above – here we have an abstract image of a pair of eyes in front of a factory. The phrase in the centre is covering what appear to be drops of blood and the tired, drawn eyes look to the viewer. The fact that we can only see the person’s eyes, and not the rest of their face, stresses the fact that survivors are often hidden by their enslavement. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 6.jpg

What You See Is Not Who I Am 6

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The sixth mural in the series appears above – here we have a kneeling woman scrubbing the floors whilst a silhouetted figure stands over her, with an arm raised in a threatening manner. This scene highlights the question in the fifth mural, where the viewer was asked ‘how many trafficked workers clean your neighbours’ home’. Behind the woman, we see the phrase ‘my rights washed away’ and the confined space make it appear as though the walls are closing in on her with little room for escape. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 5.jpg

What You See Is Not Who I Am 5

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The fifth mural in the series appears above – here we have a focus on forced labour, with the quote asking the viewer to review their lives and evaluate if trafficked workers are present around them. It makes people think about the different ways in which people can be enslaved and highlights the fact that slavery is everywhere, and could be right under our noses. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 4.jpg

What You See Is Not Who I Am 4

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The fourth mural in the series appears above – here we have the National Human Trafficking Hotline with options to call or text to report suspected slavery. The scissors below the hotline number are cutting the puppet strings, showing that a call to this number can free someone from their life of slavery. The background image also shows people helping each other climb to the top of a structure, to demonstrate that everyone must help to end modern slavery. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.

What You See is Not Who I Am 3.jpg

What You See Is Not Who I Am 3

'What You See Is Not Who I Am' is a portable mural series that was created in 2014 by ArtWorks for Freedom in collaboration with Groundwell's Teen Empowerment Mural Apprentice Program. Lead artist Nicole Schulman and assistant artist Edwin Vazquez worked with 20 young students to research, design and create a 12-panel mural series on modern slavery. The 4ft by 4ft panels are suitable for indoor and outdoor display and have been installed at various locations, including Emory University, George Washington University and George State University. The students learnt about the global epidemic of human trafficking and hoped their work would raise awareness of this phenomenon. The young artist believed this series would inspire others to get involved in the fight against human trafficking and encourage people to report possible incidents of modern slavery. Several of the murals contain the National Human Trafficking Helpline and the final panel tells the public 'Don't close your eyes. Don't walk away'. It asks the public to call the helpline if they witness workers in certain conditions or situations – for example, if workers who live in poor conditions, seem afraid, never speak with you alone and provide scripted answers, bear signs of abuse, and are unpaid or paid very little. The third mural in the series appears above – here was have a woman with a doorway in her chest that has been opened and a white dove flies away. This symbolises the hope fleeing the woman’s body as she becomes further entrenched in slavery. When reflecting on the project, Raymond Reyes commented that ‘we tried to work using symbols that weren’t too clichéd’ and Maybelline Amaya said that ‘creating this mural was one of the enlightening moments of my life’. Dakota Storm Austin stated that she learned that ‘there is a struggle in each and every corner of this earth’ and Tobi Oniyindi remarked that everyone took this sensitive topic very seriously. The students who were involved are Daijean Aiken, Maybelline Amaya, Dakota Austin, Gustavo Bahena, Kaya Chou-Kudu, Treyshuon Dennis, Marcos Diaz, Juana Euceda, Kaianna Griffith, Nathaniel James, Rosaura Munoz, Stephanie Nan, Tobi Oniyinde, Kyziom Phuntsok, Raymond Reyes, Dustin Chang, Ify Chiejina and Clement Romans.