This mural was created by Joel Artista in collaboration with Artolution, Meridian International Center, Shakti Vahini and the US Consulate in Kolkata. It raises awareness of modern slavery in West Bengal and hopes to educate people on human trafficking and enlist their help to end slavery.The piece was part of 'Shanti Arts for Action' by Artolution, a community-based public art organisation that seeks to ignite positive social change through collaborative art making. This project engaged young people in slum communities, street children, those in drug rehabilitation and survivors of human trafficking. The mural was inspired by a photograph that was taken by Brooke Shaden when she worked with Kolata Sanved, an organisation that helps survivors of trafficking with dance therapy. Shaden partnered with the women and the girls to create a series of photographic self-portraits in which they each chose a pose that they felt represented their stories. Sangeeta portrayed herself having her ankle gripped by a menacing hand, while she reached toward another hand for support. When Kolata Sanved collaborator Laura Price showed Artista this photograph, he was moved by the image and the story behind it, and received permission to use it as the central figure in the mural.The sari of the main figure depicts many of the main issues around modern slavery along with images from Bengali folkloric art. On the opening day of the International Anti-Human Trafficking Conclave there was an event, with dancers who are survivors of trafficking. This mural and the events surrounding it place survivors at the centre of their efforts.Joel Artista (Joel Bergner) has completed several murals against human trafficking and modern slavery. He is an artist, educator and activist who is celebrated for his antislavery artwork and murals. Artista's art is heavily influenced by his work with communities and non-profit organisations, and in 2015 he joined forces with Max Frieder to form Artolution. This community-based arts initiative empowers artists, youth and communities to be agents of positive social change and explore critical societal issues and create opportunities for constructive dialogue.

This mural was created by Michael Cooper in 2017 and is situated on the wall of Thistle Farms Cafe, which is part of an organisation that helps survivors of human trafficking. Thistle Farms' mission is to Heal, Empower and Employ. They provide safe housing, economic independence and a strong community of advocates and survivors. A two-year residential program called the Magdalene Residential Program in Nashville, Tennessee provides housing, medical care, education and training for jobs for up to 32 women. Residents and graduates of this program are employed in on of their social enterprises including Thistle Farms Cafe, which sells sells body/home products that are made by these survivors.The organisation was founded by Becca Stevens in 1997 when she provided shelter for five women who had experienced trafficking, violence and addiction. Thistle Farms has helped many women over 20 years and they employ more than 1,800 women worldwide, with more than 40 sister communities. 

This mural was created by Mark Palen in 2014 and is situated on the wall of Thistle Farms Cafe, which is part of an organisation that helps survivors of human trafficking. Thistle Farms' mission is to Heal, Empower and Employ. They provide safe housing, economic independence and a strong community of advocates and survivors. A two-year residential program called the Magdalene Residential Programin Nashville, Tennessee provides housing, medical care, education and training for jobs for up to 32 women. Residents and graduates of this program are employed in on of their social enterprises including Thistle Farms Cafe, which sells sells body/home products that are made by these survivors.The organisation was founded by Becca Stevens in 1997 when she provided shelter for five women who had experienced trafficking, violence and addiction. Thistle Farms has helped many women over 20 years and they employ more than 1,800 women worldwide, with more than 40 sister communities.

The Boston Community Leadership Academy (BCLA) aims to develop the capacity for leadership in all students, empowering them to make positive contributions to communities. Students worked with teachers, UNICEF representatives, Art and Resistance Through Education (ARTE) and local mural artists to design and create a mural in the school that focused on child slavery. The students placed emphasis on the idea that while all children should have the right to play, not all get that right. Children's toys are mixed together with work tools that symbolise the industries children are often forced to work in, such as a sewing machine, a factory and a hammer. 

This mural was completed alongside the Montreal Mural Festival and raises awareness of sex trafficking and forced sexual exploitation.Local community activist Heidi Yane and her daughter Megan Yane came up with the idea for the mural. It was created as part of the organisation About The Way Out, which was founded in 2013 and offers lodgings and support to survivors of sex trafficking.The piece contains the handprints of many people who are involved in human rights issues, including Alwyn Morris and Kakaionstha Deer, as well as a survivor of the Cambodian 'killing fields'. The phoenix is a symbol for rebirth after death and represents spirituality, direction, protection and awareness. It sends a message that the rights of a survivor of human trafficking are just as important as anyone else's rights.

This mural was one of Groundswell's projects and was created by the young members of the Mount Eden community with artists Jose de Jesus Rodriquez and Paula Frisch. The project aimed to improve the public's perspective on agricultural and food workers, and highlights the vulnerability of these labourers. Organisers hoped to promote dialogue that considered negative aspects of the food chain and its effect on the community to inspire empathy and activism. Groundswell is an organisation based in New York City that brings together young people, artists, and community organisations to use art as a tool for social change. Founded in 1996 by a group of artists, educators, and activists, the organisation believes that collaborative art-making combines personal expression with the strength of community activism. Over the past 22 years, they have created over 500 murals throughout NYC. The collaborative process behind these artworks demonstrates their belief that art creates community and community creates change.Those who were included in the production of the mural include Jose Almonte, Saul Arias, Chantel Batista, Topaz Bowley, Rafael Cintron, Daniel Datix, Luisaira Duran, Kelanny Estevez,  Sarafanta Kaba, Nicole Mera, Kenneth Navarro, Rodney Nelson,  Emily Ortega, Stephanie Ortega, Aaron Osorio, Brian Perez,  Charleny Reyes, Esmerelda Rivera, Juan Vasquez, Devon Veras, Haiman Sawadogo, John Hilario Torres, Justin Valdes, Keyla Ramirez and Pamela Zambrano.Community partners that were involved in the project were Communities for Healthy Food at Cypress Hills Local Development Corporation, LISC New York City, New Settlement Apartments and Comprehensive Model School Project 327. The project was funded by Laurie M. Tisch and Illumination Fund. 

This mural is a portrait of Susana Trimarco and raises awareness of human trafficking and forced sexual exploitation. Trimarco’s daughter, Marita de los Angeles Veron, was kidnapped in Tucuman in 2002 and forced into prostitution in La Rioja. Trimarco took matters into her own hands when she suspected that the police and government officials were not doing all they could do find her daughter. She has personally led 10 searches to find her daughter by going undercover as a prostitute in bars that doubled as brothels in La Rioja. She found the phone numbers of people she believed were involved in sex trafficking, tracking them and setting up meetings to help free the girls that were being trafficked. Trimarco has survived two murder attempts because of her efforts to infiltrate sex trafficking rings and her undercover efforts have led to the rescue of 150 trafficked girls, some as young as 12 years old. In October 2007 she set up the Fundacion Marita de los Angeles to help survivors of sex trafficking – the organisation provides free legal, psychological and social support to survivors and their families. In 2008 her lobbying efforts led to human trafficking being made a federal crime in Argentina.In February 2012, 13 people, including former police officers, were put on trial for allegedly kidnapping Marita and holding her as a sex slave in brothels. In December 2012 they were acquitted of this crime as the court ruled there was no way to prove that Marita had been kidnapped and forced into prostitution. This verdict led to protests across Argentina and the three judges were accused of corruption by the public. This mural was created in January 2013 to raise awareness of Marita’s case, Trimarco’s activism and the severity of sex trafficking in Argentina.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This mural was created in Pereira, which is the capital city of the Risaralda region in the foothills of the Andes. It shows a woman on the end of puppet strings, with the phrase 'no caigas en la trampa' or 'do not fall in the trap' to the left.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This mural is one of two created in Medellin, which is the second largest city in Colombia and the capital of the region of Antioquia. It shows white silhouettes of people with barcodes across their bodies. The red banner reads on sale/for sale in Spanish, Italian, German and English: 'en venta...in vendita...zu verkaufen...for sale...en venta'. These phrases are repeated on the left-hand side around the woman who faces away from the viewer, with her hands clasped around her knees.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This mural is one of two created in Medellin, which is the second largest city in Colombia and the capital of the region of Antioquia. It shows a bird flying free after escaping modern slavery.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This mural was created in Cartagena, which is on the northern coast of Colombia. In 1984 its colonial walled city and fortress were designated a UNESCO World Heritage Site.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This mural was created in the region of Santiago de Cali, which is often shortened to Cali. It is the capital of the Valle del Cauca region, and the most populous city in southwest Colombia. The piece is covered in the hand prints of those involved in creating the mural and depicts the silhouette of a woman breaking free of the chains that tie her down.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This piece was created in Bucaramanga, which is the capital and largest city of the region of Santander. It depicts a woman with long, flowing hair who has broken free of the chains to the left. The phrase to the left reads 'Tu no eres una [unreadable]...di no a la trata de personas', which translates to 'you are not a [unreadable]...say no to human trafficking'.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this program, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where levels of prostitution and drug crimes are very high. This mural was created in Bogota, the capital and largest city of Colombia. The piece reads 'solo tu le pones valor a tu vida', which translates to 'only you can put value on your life', with the hands below breaking the chains of slavery.

In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this programme, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where leveles of prostitution and drug crimes are very high. This mural was created in Barranquilla, which is the largest city and port in northern Colombia, and is the country's fourth most populous city after Bogotá, Medellín and Cali.

This mural was created in Sierra Leone by WHI (World Hope International) with FAAST (Faith Alliance Against Slavery and Trafficking). It highlights different types of slavery, including forced sexual exploitation and forced labour. The piece raises awareness of the vulnerability of migrant workers and stresses that people must be careful about accepting jobs that might sound "too good to be true".World Hope International is an organisation that works with vulnerable and exploited communities around the world. It aims to alleviate poverty, suffering and injustice, and this mural was created as part of their anti-trafficking work in Sierra Leone.WHI is a member of FAAST, an alliance of Christian organisations that are working together to combat slavery and human trafficking. Other members include Compassion First, who work with survivors, and the Salvation Army. WHI was the lead in FAAST in Sierra Leone and have helped raise awareness of modern slavery in the country.

This mural protests against early and forced marriage of children. It shows a girl with a covered head looking off into the distance looking somewhat daunted by what lies ahead. The fire at the base of the mural shows this is a dangerous situation for her to be in. The exact location and the date for the mural are unknown.

This mural was created to make the ASTRA hotline number more widely known in Belgrade, Serbia. Marija Andjelkovic, who works for the anti-trafficking organisation, had the idea after she saw an empty wall. After much work with the city officials, the mural was created by Kraljica Vila (TKV).ASTRA was established in 2000 and was the first anti-human trafficking organisation in Serbia. It deals with all forms of trafficking and modern slavery, focusing on direct victim assistance. They work towards the reintegration of survivors, prevention, education, public awareness raising, research and network advocacy at a strategic and operational level. They also support the building of a functional and efficient counter-trafficking system that fully respects the survivors rights.Their SOS Hotline and Direct Victim Assistance Program was launched in March 2002 and allows the public/survivors to report instances of human trafficking and modern slavery. Initially the hotline was designed to be preventative, but within a month the organisation widened its scope after receiving calls about exploitation. The hotline provides victim assistance and continues to have a preventive role by offering the public information on safe migration, employment and education outside of Serbia, as well as legal advice. By February 2017, the hotline had received more than 34,000 calls from 5370 people and of these 499 people were identified and/or freed from their exploitation.Unfortunately the mural has since been painted over by city officials.

This mural in Buenos Aires was part of a series organised by Red Mundial Juvenil Argentina, Vínculos en Red and Art Emprende. Painted in a small square Plaza la Victoria, the murals depict different kinds of violence, abuse and exploitation that children and teenagers suffer. On 19th September 2015 an event was held to unveil the murals, with artistic and recreational workshops about child abuse and the maltreatment of children.This piece was completed by antislavery activist Alicia Peressutti, who has written several novels based on the accounts of those who have survived trafficking, prostitution and abuse. She fights to make the stories of these survivors heard and believes this is vital for the eradication of modern slavery.

This Bansky piece was placed on the side of a Poundland store in Wood Green, London in May 2012. It was created by the infamous artist in protest against the use of sweatshops to create Diamond Jubilee and London Olympics memorabilia in 2012. It features a child crouching on the ground, sewing together bunting with the Union Jack. It has become an iconic image of child labour and child slavery.The mural remained on the wall until February 2013, when it was removed and put up for sale at the Fine Art Auctions in Miami. However, after appeals from residents of Wood Green, the mural was withdrawn the Miami auction and returned to the UK. It was subsequently sold at auction in Convent Garden, London for $1.2million. After the mural was removed, a stencil of Banksy's supposed signature rat holding a sign asking 'why?' was placed on the wall, which was then quickly removed. A Banksy representative stated that this was a fake.