This mural in Buenos Aires was part of a series organised by Red Mundial Juvenil Argentina, Vínculos en Red and Art Emprende. Painted in a small square Plaza la Victoria, the murals depict different kinds of violence, abuse and exploitation that children and teenagers suffer. On 19th September 2015 an event was held to unveil the murals, with artistic and recreational workshops against child abuse and the maltreatment of children. This mural highlights child slavery and emphasises the fact that children should not be forced to work, where they are at risk of exploitation and abuse.

After learning about forced child labour and contemporary slavery, 20 students in their Transition Year at Bray College decided to create a mural to raise awareness of this phenomenon. The students were helped by the CSPE & Religion teacher Elaine Brennan and art teacher Clifton Rooney at Presentation College. This mural highlights the different types of slavery, including contract slavery, bondage labour, debt bondage and chattel slavery. On the far right, a hand holds a crumpled contract to symbolise a worker being deceived into slavery through the use of a false employment contract. To the left of this is the silhouette of a hooded figure holding a whip to emphasise the violence and coercion that is inherent in slavery. The mural toured Ireland's schools to teach others about contemporary slavery and raise awareness of this phenomenon. The students also wrote blog posts about their experience in creating this mural, which can be read here.The students also created 'Child Soldiersl', which raises awareness of the use of child soldiers around the world.

The Boston Community Leadership Academy (BCLA) aims to develop the capacity for leadership in all students, empowering them to make positive contributions to communities. Students worked with teachers, UNICEF representatives, Art and Resistance Through Education (ARTE) and local mural artists to design and create a mural in the school that focused on child slavery. The students placed emphasis on the idea that while all children should have the right to play, not all get that right. Children's toys are mixed together with work tools that symbolise the industries children are often forced to work in, such as a sewing machine, a factory and a hammer. 

This mural was completed in conjunction with the 6th Annual Welling Court Mural Project to raise awareness of child slavery. It is located on 12th Street between Welling Court and 30th Road in Astoria, Queens, NYC. It tells the story of a 7-year old girl who is enslaved and works in a granite quarry near Katmandu, Nepal. Indira and the other children working at the quarry are forced to perform dangerous jobs with little or no safety gear. If they refuse, their employer withholds food from their family.The text that accompanies the mural on the artists website is as follows: Indira works in a granite quarry near Katmandu. She is 7 years old. The granite is sent to Britain to provide stone tiles for patios. Children are paid the equivalent of 25 cents a day to perform tiring and dangerous work with little or no safety gear.. Approximately 32,000 children in Nepal work in stone quarries. Some are as young as 5 years old. Many work besides their parents who are in debt bondage with  little hope of escaping. Some live at the work site which is watched by guards who forbid them from leaving. The children are forced to perform hazardous jobs & if they refuse the employer withholds food from the family. Eradicating child labor from Nepal is difficult because it is fundamental to the economy.

This mural was completed as part of the Shoreditch Art Wall and supported the launch of the UK branch of the organisation Child Labour Free. It was revealed on the World Day Against Child Labour on 12th June 2016 alongside the sale of limited edition t-shirts with the designs of the mural. The proceeds of this went to the development of the Child Labour Free child care centre, which helps children in red light districts in Kolkata, India. Child Free Labour selected Victoria Villasana and Zabou to complete the mural. Zabou created the portraits of the two children, one of which can be seen above, and Victoria added the threads to the piece. For more images of the mural, please click here.Victoria is from Mexico and she was chosen because child labour is a strong issue in her country. She stated that 'What I like about Child Labor Free is that they work closely with the families to help them get out of poverty, rather than just stopping retailers from buying from these suppliers. This will help children enjoy better lives that are full of play, rather than just work.'

This graffiti of a child wearing a Walmart uniform was created amid claims that the company was selling timber products with wood supplied through slave labour. A three-month investigation by news outlet Reporter Brasil found that Walmart and Lowe were sourcing the product from companies whose supply chains are contaminated by the alleged use of forced labour. For a full report of the investigation, click here.The piece was placed onto a vacant Walmart store and quickly covered up by city officials.

Jessica is a survivor of sex trafficking - she was kidnapped at gun-point when she was 17 years old, raped and branded with a tattoo on her neck. Jessica was forced to prostitute herself and she suffered great physical, sexual and mental abuse at the hands of her pimp and countless other men. She escaped when she was 20 years old and now has a good relationship with her mother and her daughter. Jessica says she would not have made it without the help of the Mary Magdalene Project, now called Journey Out, an organisation that helps survivors of sex trafficking and/or commercial sexual exploitation. They kept her safe and ensured that no one could find her, alongside providing her with programs to help her establish a new life. The artist Lydia Emily Archibald wanted to create this mural to highlight the fact that sex trafficking is happening every day in America. She believes artwork 'can do more than hang, it can help,' and she hopes other survivors will look up at this mural and find inspiration in it. Archibald included two hummingbirds in the mural because when Jessica recounted her story, she mentioned that she loved these birds and they reminded her of her grandmother. The hummingbird at the top represents her grandmother and the one at the bottom represents her daughter, who Jessica had when she was 16 years old. The mural is situated in an area of LA where sex trafficking is prolific and the artist and her team faced abuse from locals. This corner was a popular place for drug-dealing and the painting of the mural temporarily shut down business for many dealers, leaving many unhappy at the muralists presence. Nevertheless they persisted and the mural is still there today. To watch Jessica's story and see her reaction to the unveiling of the mural, click here.

This mural was created by graffiti artists Danielle Mastrion and Lexi Bella as part of the 2014 Welling Court Mural Project. This project began after members of Welling Court community met at Ad Hoc's Bushwick gallery and invited Ad Hoc Art to come up with a vision to beautify their neughbourhood. With the community's support, the first mural was created in December 2009 by M-City. The rest of the winter was used to plan the launch of the first multi-block mual project that occured in May 2010 with over 40 murals. With a mix of artists and new talents, the Project hosts over 140 murals by artists from around the world and it is one of the best collections of contemporary street culture.This mural supports the Bring Back Our Girls campaign, which is fighting to save the 276 Chibok schoolgirls who were kidnapped by Boko Haram on 14th April 2014. #BringBackOurGirls calls for the Nigerian government to secure the release of the 113 girls who are still missing. To learn more about the campaign, click here.

This mural supports the Bring Back Our Girls campaign, which is fighting to save the 276 Chibok schoolgirls who were kidnapped by Boko Haram on 14th April 2014. #BringBackOurGirls calls for the Nigerian government to secure the release of the 113 girls who are still missing. To learn more about the campaign, click here.

This mural in Buenos Aires was part of a series organised by Red Mundial Juvenil Argentina, Vínculos en Red and Art Emprende. Painted in a small square Plaza la Victoria, the murals depict different kinds of violence, abuse and exploitation that children and teenagers suffer. On 19th September 2015 an event was held to unveil the murals, with artistic and recreational workshops about child abuse and the maltreatment of children.This mural highlights how children who live in poorer households and rural areas are more likely to be victims of child labour, where they are open to exploitation and abuse. The image of a girl at a sewing machine emphasises how millions of girls and women are forced to be domestic workers, with little to no pay and no opportunity to leave.

The organisation MISSING was founded by Leena Kerjriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement through her #MissingGirl stencil campaign.The stencil campaign aimed to raise awareness of human trafficking in local communities and educate people on the issue, as well as helping people thinking about how they can stop modern slavery. Over two years, the campaign has spread beyond India to include six countries and 18 cities, with 2,500 stencils and over 42 million impressions made on people. The campaign continues today and you can find out more here. The stencil is a black silhouette of a young girl. This black hole cut out from the fabric of our environment shows how millions of girls disappear as a result of modern slavery.

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world.  This piece is the first in the mural walk and is titled 'Ma'er Chotu Durga'. The virtual guide describes how Durga is getting ready for school - she is doing her hair and putting a pink flower (far bottom right), pink ribbon and pink clip in her hair (left). The guide then explains that Durga can be trafficked today and states that every 26 seconds a child disappears into the world of trafficking. 

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world. This piece is the second in the mural walk and is titled 'Who Am I?'. The virtual guide asks the viewer how many people they see and discusses the different appearance of the fifth person on the far left. This faded figure is the Durga and she is playing the role that people around her expect her to play. However by taking on everyone else's colours, she is losing her own identity and fading into the background. 

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world. This piece is the third in the mural walk and is titled 'Ten Faces of Patriarchy'. The virtual guide describes how the Durga is influenced by all of the people that she grows up around. The organisation maintains that in order to overthrow patriarchy, the people around young girls, like the Durga, need to inform them about the system of patriarchy and need to teach her to be smart and not just "good". 

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world. This piece is the fourth in the mural walk and is titled 'You Can't Hear Me'. The mural depicts the Durga's mouth as below us and on the floor, symbolising the fact that we cannot hear what she is trying to say and she has no voice. It highlights how, even though many girls in India are becoming educated, their ambitions are being suppressed and opportunities for them to be self-reliant are squashed by system. The virtual guide notes how 'sometimes she is crying out for help but people cannot hear her'.

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world. This piece is the fifth in the mural walk, and is titled 'Durga On The Run'. The virtual guide describes how many young girls are trafficked in India, stating that there has been 133% increase in number of young girls trafficked. While some girls may be able to escape by running away, they cannot run forever and the mural urges young girls to speak out to parents, teachers or policemen to tell them what's happened.

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world. This piece is the sixth in the mural walk and is titled 'The Black Hole'. The virtual guide tells the viewer that the Durga is depressed and in a dark place, or a black hole, now she has been trafficked. She has been sold for Rs 5000, the average price of a 13 year old girl in India, meaning that she has been sold for less than 40kg of chicken. It also relays how 1.2 million girls and 3 million women are sold every year. 

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world. This piece is the seventh in the mural walk, titled 'Hidden in Plain Sight'. The virtual guide tells the viewer that the Durga is now missing and states that 42% of India's trafficked people come from India. This mural highlights how modern slavery and human trafficking happens all around us, but is not always visible - it is hidden in plain sight. 

The organisation MISSING was founded by Leena Kejriwal and started as a public art project after years of working with NGOs such as Apne Aap, Hamari Muskan and New Light. As an artist, Kejriwal fought against human trafficking by creating installations in galleries that brought up the realities of sex trafficking. She felt that the world needed a new approach to tackling human trafficking and introduced MISSING as a four-part Art As Activism movement, the first of which was the MISSING Stencil Campaign. The Hunt for the Lost Durga is the first of a series of mural walks that MISSING is undertaking in its plan to engage the public with the issue of child trafficking. The murals were completed with the support of Shalimar Paints under their Colours for Change initiative. This mural walk is accompanied by an interactive Facebook messenger experience - the viewer can type 'Missing Mural Walk' into the search bar of the Facebook Messenger App then press 'Get Started' to be guided through the mural walk. The virtual guide asks the viewer which mural they can see and provides information about the mural and child trafficking, always ending with the question 'why wait for a girl to get trafficked to save her?' The virtual guide is still available and you can use it anywhere in the world. This is the eight and final piece in the mural walk titled 'Survivor.' The Durga has managed to escape, but her story does not end there. The virtual guide tells how sometimes girls cannot return home to their families and others are forced back on the run where they are at risk of being trafficked once again. This highlights how important it is to support survivors and provide them with alternative options to help them escape the world of trafficking. 

This mural is one of two created by artist ArtLords with the help of the Canadian Embassy in Afghanistan. ArtLords frequently creates pieces that make political statements, including asking people to pick up a book not a gun and encouraging a transparent and accountable government. These murals highlight the importance of education for young girls and women, and condemn the practice of forced marriage. In September 2017, forced marriage was recognised as a form of modern slavery and was included in the estimates of people who are enslaved by the International Labour Organisation (ILO). At this time, there were an estimated 15.4 million people in forced marriage, and the vast majority of these are girls and women. Over a third of the people who were forced to marry were children, of whom 40% were below fifteen at the time when marriage took place.