This piece was created over a year by 15 artists who came together to tell the story of the Chattanooga landscape being reborn. They were inspired to create this piece for human trafficking survivors who are a part of the non-profit organisation Second Life. The idea behind the piece is that, although the outlook for survivors can often look bleak, there is hope.Second Life  was created in 2007 and aims to end human trafficking through prevention, policy and survivor services. They provide individuals, groups and organisations in the Lower East Tennessee region with knowledge of human trafficking to enable them to be aware of signs of this phenomenon and what to do if they have suspicions. They also provide expertise and support to the private and public sectors to help make effective policies that will end human trafficking. Their services also provide aftercare to survivors and they coordinate with community resource providers to address the specific needs of individual survivors.Due to the privacy of survivors and the safeguarding measures that are in place, the exact location of the mural, in East Brainerd Tennessee, is unknown.

This mural was created by Mark Palen in 2014 and is situated on the wall of Thistle Farms Cafe, which is part of an organisation that helps survivors of human trafficking. Thistle Farms' mission is to Heal, Empower and Employ. They provide safe housing, economic independence and a strong community of advocates and survivors. A two-year residential program called the Magdalene Residential Programin Nashville, Tennessee provides housing, medical care, education and training for jobs for up to 32 women. Residents and graduates of this program are employed in on of their social enterprises including Thistle Farms Cafe, which sells sells body/home products that are made by these survivors.The organisation was founded by Becca Stevens in 1997 when she provided shelter for five women who had experienced trafficking, violence and addiction. Thistle Farms has helped many women over 20 years and they employ more than 1,800 women worldwide, with more than 40 sister communities.

This mural was one of Groundswell's projects and was created by the young members of the Mount Eden community with artists Jose de Jesus Rodriquez and Paula Frisch. The project aimed to improve the public's perspective on agricultural and food workers, and highlights the vulnerability of these labourers. Organisers hoped to promote dialogue that considered negative aspects of the food chain and its effect on the community to inspire empathy and activism. Groundswell is an organisation based in New York City that brings together young people, artists, and community organisations to use art as a tool for social change. Founded in 1996 by a group of artists, educators, and activists, the organisation believes that collaborative art-making combines personal expression with the strength of community activism. Over the past 22 years, they have created over 500 murals throughout NYC. The collaborative process behind these artworks demonstrates their belief that art creates community and community creates change.Those who were included in the production of the mural include Jose Almonte, Saul Arias, Chantel Batista, Topaz Bowley, Rafael Cintron, Daniel Datix, Luisaira Duran, Kelanny Estevez,  Sarafanta Kaba, Nicole Mera, Kenneth Navarro, Rodney Nelson,  Emily Ortega, Stephanie Ortega, Aaron Osorio, Brian Perez,  Charleny Reyes, Esmerelda Rivera, Juan Vasquez, Devon Veras, Haiman Sawadogo, John Hilario Torres, Justin Valdes, Keyla Ramirez and Pamela Zambrano.Community partners that were involved in the project were Communities for Healthy Food at Cypress Hills Local Development Corporation, LISC New York City, New Settlement Apartments and Comprehensive Model School Project 327. The project was funded by Laurie M. Tisch and Illumination Fund. 

This piece was part of a series of murals created in 9 countries across Africa. The #WallsCANBloom campaign was launched by the Government of Canada in 2016, whereby the government committed $80 million to ending early and forced marriage in Africa.The murals were created on or around 16th June 2016, which is the International Day of the African Child. Local artists, activists, NGOs, schools and communities were involved in the design and execution of the murals. The pieces were displayed on the buildings of Canadian embassies and High Commissions and unveilings of the murals were accompanied by speeches and events. The campaign had a strong presence on Twitter with #WallsCANBloom.This specific mural shows children both at school and in forced marriages. It states that children should have full access to high quality education and should not be forced to marry. The piece, created by local artist Docta, highlights the importance of education and encourages children to stay in school to gain qualifications. 

In 2015, the team behind Femme Fierce (the World's Largest All Female Graffiti Street Festival) worked with Women of the World (WOW) and Plan International UK to create a series of murals against forced marriage. Over 150 female street artists took to the graffiti tunnel on Leake Street in Waterloo to support Plan UK’s fight against child and forced marriage. This project was part of Plan International’s worldwide campaign ‘Because I am a Girl’. The walls were painted blue to reflect Plan’s logo and then the female artists let their imagination run wild, painting their interpretations of ‘Because I am a Girl’.Plan International, which works to protect the rights of children, launched this campaign to fight for girls’ rights and gender equality. It is a youth-led, global movement that supports girls to take the lead and influence decisions that matter to them. The charity works on forced and child marriage throughout the world.