In 2012, the United Nations Office on Drugs and Crime (UNODC) visited different areas of Colombia to educate children and young adults on how to recognise, report and prevent human trafficking. As part of this programme, children from various schools and communities created murals to show their understanding of human trafficking and their support of modern slavery survivors. Of the 1,900 children with whom UNODC worked, the majority lived in areas where leveles of prostitution and drug crimes are very high. This mural was created in Barranquilla, which is the largest city and port in northern Colombia, and is the country's fourth most populous city after Bogotá, Medellín and Cali.

This mural was created in Sierra Leone by WHI (World Hope International) with FAAST (Faith Alliance Against Slavery and Trafficking). It highlights different types of slavery, including forced sexual exploitation and forced labour. The piece raises awareness of the vulnerability of migrant workers and stresses that people must be careful about accepting jobs that might sound "too good to be true".World Hope International is an organisation that works with vulnerable and exploited communities around the world. It aims to alleviate poverty, suffering and injustice, and this mural was created as part of their anti-trafficking work in Sierra Leone.WHI is a member of FAAST, an alliance of Christian organisations that are working together to combat slavery and human trafficking. Other members include Compassion First, who work with survivors, and the Salvation Army. WHI was the lead in FAAST in Sierra Leone and have helped raise awareness of modern slavery in the country.

This mural protests against early and forced marriage of children. It shows a girl with a covered head looking off into the distance looking somewhat daunted by what lies ahead. The fire at the base of the mural shows this is a dangerous situation for her to be in. The exact location and the date for the mural are unknown.

"I took this photo because it’s my shoes. I separated them and if you watch carefully it’s two different shoes. One is rotten and the other it’s a little bit new. It signifies my feet, and my feet signify my journey—one behind and one ahead. The one behind represents back then—Nigeria, Libya—it was so horrible, and that’s why you see that rotten shoe. If you check properly, the colour, the way it is, shows it was so… It’s something that reminds me of so much pain and it’s hard. It has to be behind me. The one at the front is life—this is my current stay in Europe. You understand, it’s a step I have to take: one behind and one in the front." This image was taken as part of the Voice of Freedom workshop in Asti, Italy, working with ten Nigerian women trafficked through Libya to Italy. The title of the photograph refers to the name of the individual who took the photograph, and not the figure therein.  Photo: Stef, courtesy of Voice of Freedom.

March 2015 Two Hungarian women, aged 21 and 30, were rescued from a terrace property on Spa Road in Bolton after being trafficked one year previously by the Dardai family, also Hungarian, who enslaved the women, forcing them into prostitution. Daniel Dardai, Ferenc Dardai, Ferenc Dardai Jr, and Melania Kiraly were arrested and subsequently charged for modern slavery offences. Dardai Jr set up profiles for the two women on adult websites. When clients called, he and his father would tell the women what to say. The victims were forced to see up to five clients a day. One of the women told the court that she was made to eat with separate cutlery so she would not pass on any infection. She was given only bread, butter and salami, sometimes only once a day.The women were beaten daily by Dardai Jr and his mother. They were forced to hand over the money they made, which was around £150 a day. They were also told they could not leave until they had earned more money. One of the victims said Dardai Jr had on occasions strangled her for not smiling enough for clients and she had fainted after one beating. All family members pleaded guilty at Bolton Crown Court for sexual exploitation of the women. Dardai Sr, who claimed in court that he had been directed by his sons, was jailed for four years. His son, Daniel Ferenc was sentenced to 3 years in a young offenders institute. His brother Dardai Jr was sentenced to six years. Dardai Jr’s wife Kiraly was jailed for four years and four months plus an extra two months to run consecutively after pleading guilty to conspiracy to commit a sham marriage.The Dark Figure* is an ongoing photographic project that investigates and documents UK neighbourhoods where victims have been identified as modern-day slaves.

Photo: Spa Road, Bolton, courtesy of The Dark Figure

March 2015 Two Hungarian women, aged 21 and 30, were rescued from a terrace property on Spa Road in Bolton after being trafficked one year previously by the Dardai family, also Hungarian, who enslaved the women, forcing them into prostitution. Daniel Dardai, Ferenc Dardai, Ferenc Dardai Jr, and Melania Kiraly were arrested and subsequently charged for modern slavery offences. Dardai Jr set up profiles for the two women on adult websites. When clients called, he and his father would tell the women what to say. The victims were forced to see up to five clients a day. One of the women told the court that she was made to eat with separate cutlery so she would not pass on any infection. She was given only bread, butter and salami, sometimes only once a day. The women were beaten daily by Dardai Jr and his mother. They were forced to hand over the money they made, which was around £150 a day. They were also told they could not leave until they had earned more money. One of the victims said Dardai Jr had on occasions strangled her for not smiling enough for clients and she had fainted after one beating. All family members pleaded guilty at Bolton Crown Court for sexual exploitation of the women. Dardai Sr, who claimed in court that he had been directed by his sons, was jailed for four years. His son, Daniel Ferenc was sentenced to 3 years in a young offenders institute. His brother Dardai Jr was sentenced to six years. Dardai Jr’s wife Kiraly was jailed for four years and four months plus an extra two months to run consecutively after pleading guilty to conspiracy to commit a sham marriage.

The Dark Figure* is an ongoing photographic project that investigates and documents UK neighbourhoods where victims have been identified as modern-day slaves. Photo: Spa Road, Bolton, courtesy of The Dark Figure

This mural was created to make the ASTRA hotline number more widely known in Belgrade, Serbia. Marija Andjelkovic, who works for the anti-trafficking organisation, had the idea after she saw an empty wall. After much work with the city officials, the mural was created by Kraljica Vila (TKV).ASTRA was established in 2000 and was the first anti-human trafficking organisation in Serbia. It deals with all forms of trafficking and modern slavery, focusing on direct victim assistance. They work towards the reintegration of survivors, prevention, education, public awareness raising, research and network advocacy at a strategic and operational level. They also support the building of a functional and efficient counter-trafficking system that fully respects the survivors rights.Their SOS Hotline and Direct Victim Assistance Program was launched in March 2002 and allows the public/survivors to report instances of human trafficking and modern slavery. Initially the hotline was designed to be preventative, but within a month the organisation widened its scope after receiving calls about exploitation. The hotline provides victim assistance and continues to have a preventive role by offering the public information on safe migration, employment and education outside of Serbia, as well as legal advice. By February 2017, the hotline had received more than 34,000 calls from 5370 people and of these 499 people were identified and/or freed from their exploitation.Unfortunately the mural has since been painted over by city officials.

July 2013 A 36-year-old Latvian woman arrived in the UK with the belief that she would be given a job on a mushroom farm. Instead, she was taken to the house of Hanan Butt and Jekaterina Ostrovska in Slough, and was then moved to Birmingham where she was introduced to Mohammed Akmal, whom she later married in a false Islamic ceremony, witnessed by Rashid Ahmed. The victim was moved to two addresses in Longsight, Manchester. In the first address, she existed in a small attic bedroom which was locked while Akmal’s family lived in the main house. The second address had metal grates over the windows and she was not allowed to use the telephone or leave the house without being supervised.  The victim was found after she managed to tear off a partial address from a piece of mail and rang her mother who then informed Interpol.   November 2015 Mohammed Akmal and Rashid Ahmed were both found guilty of conspiracy to seek to remain leave in the UK by deception. Akmal was sentenced to one year and eight months, whilst Ahmed was sentenced to just nine months imprisonment.  Hanan Butt and Jekaterina Ostrovska both pleaded guilty to human trafficking for exploitation. Butt was sentenced to two years and eight months, whilst Ostrovska was sentenced to two years and six months imprisonment.The Dark Figure* is an ongoing photographic project that investigates and documents UK neighbourhoods where victims have been identified as modern-day slaves.

Photo: Smart Street, Longsight, Manchester, courtesy of The Dark Figure

This mural in Buenos Aires was part of a series organised by Red Mundial Juvenil Argentina, Vínculos en Red and Art Emprende. Painted in a small square Plaza la Victoria, the murals depict different kinds of violence, abuse and exploitation that children and teenagers suffer. On 19th September 2015 an event was held to unveil the murals, with artistic and recreational workshops about child abuse and the maltreatment of children.This piece was completed by antislavery activist Alicia Peressutti, who has written several novels based on the accounts of those who have survived trafficking, prostitution and abuse. She fights to make the stories of these survivors heard and believes this is vital for the eradication of modern slavery.

This Bansky piece was placed on the side of a Poundland store in Wood Green, London in May 2012. It was created by the infamous artist in protest against the use of sweatshops to create Diamond Jubilee and London Olympics memorabilia in 2012. It features a child crouching on the ground, sewing together bunting with the Union Jack. It has become an iconic image of child labour and child slavery.The mural remained on the wall until February 2013, when it was removed and put up for sale at the Fine Art Auctions in Miami. However, after appeals from residents of Wood Green, the mural was withdrawn the Miami auction and returned to the UK. It was subsequently sold at auction in Convent Garden, London for $1.2million. After the mural was removed, a stencil of Banksy's supposed signature rat holding a sign asking 'why?' was placed on the wall, which was then quickly removed. A Banksy representative stated that this was a fake.

“Living as a slave for so many years, I keep the silence on my pain.” – Woman from Morocco This picture is part of PAG-ASA’s Photo-Voice project, which aims to give a voice to the human trafficking victims living in our shelter. For victims, explaining what they have been through is a complicated and distressing experience; the feeling that words are not enough is often overwhelming. 11 victims worked with us to create these photos. Each picture depicts an image and a message they wanted to convey. Each picture gives a glimpse of their personal experience and shows what it means to be a victim of human trafficking. The victims are present in every picture, both emotionally and physically, as they envisioned and interpreted them. Their stories are therefore an important means not only to raise awareness on human trafficking, but also to transmit a powerful message of strength.Photo: Silence, courtesy of PAG-ASA

This mural was completed by Joel Artista alongside students from the University of Dayton's Art Street Centre for the Sex Trafficking Awareness Project. This campagin aims to raise awareness of forced prostitution and the sexual exploitation of women and girls in the USA. Through workshops with Artista, students expressions of sex trafficking were combined with an image of the Riman goddess Proserpina. In the mural, she struggles to break free from her captor, the god of the underworld, and her mother, whose hand reaches out for her. This imagery highlights the violent and painful kidnapping and forced prostitution of thousands of girls and women, both American and foreign, across the US every year. Proserpina's struggle is also shown with writing all over the piece in different languages, with phrases such as 'desperation', 'escape', and 'wasted youth'. Joel Artista (Joel Bergner) has completed several murals against human trafficking and modern slavery. He is an artist, educator and activist who is celebrated for his antislavery artwork and murals. Artista's art is heavily influenced by his work with communities and non-profit organisations, and in 2015 he joined forces with Max Frieder to form Artolution. This community-based arts initiative empowers artists, youth and communities to be agents of positive social change and explore critical societal issues and create opportunities for constructive dialogue.

This mural was created as part of the Elementi Sotterranei Festival (the International Graffiti Festival) in Gemona del Friuli, Italy. It depicts a man trapped in a cage and a woman holding the key. In this piece, traditional roles are reversed and the woman holds power.

This piece was created over a year by 15 artists who came together to tell the story of the Chattanooga landscape being reborn. They were inspired to create this piece for human trafficking survivors who are a part of the non-profit organisation Second Life. The idea behind the piece is that, although the outlook for survivors can often look bleak, there is hope.Second Life  was created in 2007 and aims to end human trafficking through prevention, policy and survivor services. They provide individuals, groups and organisations in the Lower East Tennessee region with knowledge of human trafficking to enable them to be aware of signs of this phenomenon and what to do if they have suspicions. They also provide expertise and support to the private and public sectors to help make effective policies that will end human trafficking. Their services also provide aftercare to survivors and they coordinate with community resource providers to address the specific needs of individual survivors.Due to the privacy of survivors and the safeguarding measures that are in place, the exact location of the mural, in East Brainerd Tennessee, is unknown.

This mural is one of two created by artist ArtLords with the help of the Canadian Embassy in Afghanistan. ArtLords frequently creates pieces that make political statements, including asking people to pick up a book not a gun and encouraging a transparent and accountable government. These murals highlight the importance of education for young girls and women, and condemn the practice of forced marriage. In September 2017, forced marriage was recognised as a form of modern slavery and was included in the estimates of people who are enslaved by the International Labour Organisation (ILO). At this time, there were an estimated 15.4 million people in forced marriage, and the vast majority of these are girls and women. Over a third of the people who were forced to marry were children, of whom 40% were below fifteen at the time when marriage took place. 

This mural is one of two created by artist ArtLords with the help of the Canadian Embassy in Afghanistan. ArtLords frequently creates pieces that make political statements, including asking people to pick up a book not a gun and encouraging a transparent and accountable government. These murals highlight the importance of education for young girls and women, and condemn the practice of forced marriage. In September 2017, forced marriage was recognised as a form of modern slavery and was included in the estimates of people who are enslaved by the International Labour Organisation (ILO). At this time, there were an estimated 15.4 million people in forced marriage, and the vast majority of these are girls and women. Over a third of the people who were forced to marry were children, of whom 40% were below fifteen at the time when marriage took place. 

This mural was part of the 2016 Welling Court Mural Project. The project began after members of Welling Court community met at Ad Hoc's Bushwick gallery and invited Ad Hoc Art to come up with a vision to beautify their neighbourhood. With the community's support, the first mural was created in December 2009 by M-City. The rest of the winter was used to plan the launch of the first multi-block mural project that occurred in May 2010 with over 40 murals. With a mix of artists and new talents, the Project hosts over 140 murals by artists from around the world and it is one of the most well-known collections of contemporary street art.This mural was created in response to the treatment of Yazidi women in Iraq. Thousands of Yazidi women have been kidnapped, raped and tortured by ISIS in Northern Iraq, with many forced to marry ISIS fighters and sexually exploited.

"I love this picture because whenever I look at her personally I look at her as my childhood friend. There is a friend like that, not she, but they look alike so much. We were brought up together, her name is Dami. The church I attend, her dad is the owner of the church, my dad is the second in charge of the church and that is how they brought us together when we were two years old. Later, her mum and dad broke up and her mum left and her dad married another wife who started maltreating them. Suddenly Dami just got missed—they were like, ‘Dami has travelled, travelled to abroad,’—this and that. Meanwhile, later we find out that they took her to one village for slavery—her dad sold her for slavery so she can bring money. There was no money so that is why they sold the girl." This image was taken as part of the Voice of Freedom workshop in Asti, Italy, working with ten Nigerian women trafficked through Libya to Italy. The title of the photograph refers to the name of the individual who took the photograph, and not the figure therein.  Photo: Sarah Oluwatimileyin, courtesy of Voice of Freedom.

This mural was created by James Bullough with the Handle with Care Project, a Dallas-based organisation that is dedicated to fighting slavery through the arts. They argue that graffiti and slavery have something in common - they are both done covertly and are illegal, yet when a wall is defaced it can be painted over, whereas there is no "easy solution" for the slavery survivor.'Release' is the central piece in a city-wide mural project 'Deface a Wall, Not a Body', painted at the popular retail park Trinity Grove. The birds that are released in this mural are then painted all around Dallas. They symbolise survivors being released from captivity and rebuilding their lives over time. The murals of these free birds are titled 'Flycatcher'.