A Research Associate with the Right’s Lab’s Antislavery Usable Past Project, focussing on usable photographic images in both activism and education. Crucially, I scope the photographic culture of contemporary antislavery.
A research associate for the Rights Lab’s Antislavery Usable Project, exploring the use of visual culture in the modern abolition movement. My focus is on murals and I am creating a database of modern antislavery murals across a variety of topics from around the world.
The growing potency of the black Civil Rights Movement during the 1950s and 1960s, as well as the decline in support for racial theories and the increasing nationalisation of American life, represented a salient threat to the culture of white supremacy in the southern states. In this transformative context, how did segregationists seek to reignite support for segregation and appeal to a broader national audience? What strategies did they pursue, and what impact did they have?
“The Black Power movement represents a largely unchronicled epic in American history,” argues historian Peniel E. Joseph in his article “Rethinking the Black Power Era. This academic oversight catalysed a wave of Black Power studies in the 2000s, with scholars like Joseph and Paul Gardullo altering perceptions of the movement by expanding it from the parameters of the 1960s. This scholarship reconsiders the temporal, chronological and spatial frameworks that define the era, and my PhD will join this repertoire of Black Power scholarship by proposing the existence of a Long Black Power Movement.
Political utopianism looks at the engagement with contemporary socio-political debates in order to come up with solutions and changes in the pursuit of a new way of life. The British Empire, with its ideological focus of the “good life” and the “civilising project”, can arguably be called a conscious attempt at utopia. In this thesis, I examine the ways in which the British Raj influenced language, culture, wealth, technology, gender and sexuality, and religion using critical utopian theory, queer theory, and postcolonialism in attempt to rethink the mainstream narratives of Empire and its legacies.
A research associate with the Rights Lab's Usable Past project, working on heritage and public history.